But there’s an incredibly specific (and unlikely) scenario in which storing your TOTP in a separate authenticator app may offer additional protection. If an attacker got ahold of your 1Password login information (and your 2FA secret if you’ve added that layer of protection to your 1Password account) but didn’t have control of your device, the separation between your passwords and TOTP could prove useful.

blog.1password.com

Kurzum: Für Einmalpasswörter benötigt ihr keine separate Authenticator-App.

The presented idea is that whilst this particular model is arriving “early next year” as something too expensive for the ordinary person, Apple is already working on the second-generation non-Pro model, expected in 2025, and that will solve the price problem and make the headset accessible for all.

In short, I think that’s way too optimistic. The visionOS platform has long-term potential to be a mass consumer device, but we are talking long-term. The second-generation Apple Vision will be just as out of reach to most as the Vision Pro is today.

Benjamin Mayo

100-Prozent.

Der Name „Pro“ verrät bereits eine Nicht-Pro-Version. Trotzdem versteht sich die erste Version als technische Messlatte, die keine zukünftige Vision unterschreitet. Die Specs der ersten Vision Pro sind notwendig für ein „Minimum Lovable Product“ (MLP); es folgt keine abgespeckt Version.

Für Apple ist Version 1 damit ein „Minimum Viable Product“ (MVP), weil die Ertragsrate der Screens so niedrig – und damit teuer – ausfällt. Entsprechend hoch gestaltet sich der Preis (3500 US-Dollar) und die eingeschränkte Verfügbarkeit (US-only).

Mich würde es überraschen, wenn wir in den ersten fünf Jahren eine Vision unter 2.000 Euro sehen – egal ob Pro oder Nicht-Pro.

It’s a universal application (iOS/iPadOS/macOS) that lets you take snippets of text from anywhere (although it’s designed for web pages), and to generate beautiful shareable images.

Chris Hannah

Text Shot folgt Text Case als ein unverzichtbares Werkzeug im Umgang mit Text.

I’ve been able to attend my fair share of Apple keynotes and product events. If there’s anything I’ve learned from my experience, it’s this: it’s a rare thing to go to an Apple event and witness the future of your job in front of you – tangible, but not quite within your grasp yet.

I’m fully aware of the fact that, in this very moment, many of you reading this are rolling your eyes and scoffing at my excitement. It’s too expensive. It’s just a new toy. It’s creepy. No one will ever use it. A laptop is better. I have a TV already. I understand your skepticism. And I’m here to tell you that, at this point, I think I’ve been around long enough to have a pretty good sense for when things are about to change.

Federico Viticci

Das klingt alles zu gut, um das nicht nicht an Tag 1 zu wollen.

Lightroom war nie „mobile-first“, sondern versuchte seinen Apps für iPhone und iPad angestaubte Desktop-Workflows aufzudrücken. Am deutlichsten zeigte sich das beim unsäglichen Importprozess für Fotos, den Adobe nach neun Jahren nun aufgibt.

We’ve heard this feedback and are excited to introduce a new update that gets you from capture to edit in less time than ever.

Now, you no longer need to import photos just to see them in Lightroom for mobile. When you open the mobile app, you can instantly access your photos, videos, and albums from your Apple iCloud or Android Gallery, directly inside a new tab in Lightroom.

blog.adobe.com